New Photoshop CS6 Features
Thursday, May 17th, 2012The new Photoshop CS6 user interface style and design could be the very first thing to capture your eye. It utilizes darker hues for making your photos get noticed more, and this gives it more visual consistency with Lightroom and, for example, Photoshop Elements.
The newest features contain considerably more advanced cropping alternatives, content-aware Move as well as Patch tools, a very interesting Blur Gallery, ‘adaptive’ wideangle lens adjustments, skintone-aware selections, much better auto adjustments and also, surprisingly, some practical video editing tools.
When you crop your images now you can work with a array of overlays, for example the Golden Ratio, Rule ofF Thirds or a simple grid that will help you determine the composition. You save crop presets including image size and resolution as well as, most signficantly, crops are now non-destructive. You can revisit later, in other words, and re-do them if you change your mind.
Along with the Blur Gallery you can put a cinematic or ‘film’ look to digital images. ‘Iris Blur’ simulates the shallow depth of field of the wide lens aperture, ‘Tilt-Shift Blur’ generates a ‘miniature’ outcome, while ‘Field Blur’ lets you isolate specific objects versus a blurred background.
However the new video editing instruments are the most impressive addition. Increasingly, there exists a crossover between stills photography as well as video, specifically for photography lovers. Photoshop CS6 can trim and combine video clips, insert transitions and even add titles, and all inside the familiar Photoshop atmosphere.
CS6 in addition comes with a latest version of Adobe Camera Raw. ACR 7 (yes, it’s bothersome that the version numbers are out of step) includes a brand-new running engine as well as superior tone-mapping, resulting in a redesign on the tonal controls and much better results when recuperating shadows and highlights in RAW files. ACR in addition provides an increased variety of controls for the Adjustment Brush, including localised white balance, noise reduction and moire corrections.
The improvements here are identical to those in Lightroom 4, which can be no real surprise as that too is built around Adobe Camera Raw 7. It’s great in the sense that there are uniformity between the two products and solutions, although it in addition makes an overlap which could allow it to become harder to find out which of these two programs you will need.
This is what you need to remember if your pursuits are mostly photography, Lightroom 4’s editing tools are now so superior that you might hardly ever have to have Photoshop at all. Of course, if you need to do, you will probably find Elements 10 completely adequate for the layers, montages as well as other outcomes that Lightroom can not complete, instead of forking out much more for Photoshop CS6. Click here for more details.
Looking to find the best deal on Photoshop, then visit www.TheTechLabs.com to find the best advice on Creative Suite 6 for you.